Category: Reviews

Zióna Maré-Laveaux’s remix single “Fold Me Like Sunday” doesn’t just arrive as another reinterpretation, it…

MyKungFu returns with “Damage,” a single that manages to feel both breezy and emotionally layered…

Originally released in 1992 as a limited 12-inch, Tabitha Zu’s ‘On Reality’ returns today as…

Kelsie Kimberlin returns to her pop roots with Clumsy Girl, a bright, uplifting single that…

There’s nothing accidental about Diss Tribute, the latest original single from Antoin Gibson. Released as…

Iuliano’s latest single Time arrives not with fanfare, but with a quiet gravity that immediately…

DJ Cards’ “We Rise Up (The Stadium Hype Song)” lives up to its name, delivering…

Symbiotik return with Desert of Contrast (10th Anniversary), a reimagined release that feels less like…

Reetoxa’s Soliloquy arrives as an ambitious double album that feels more like a cinematic experience…

HJ Soul returns with a powerful statement in his original single Unbreakable, a track that…

OpCritical’s “Not My America” doesn’t feel like a comfortable listen, and that’s clearly the point….

Amara-Fe returns with A Queen’s Ambition, an album that feels less like a step forward…

Kim Cameron steps into 2026 with a renewed artistic purpose, and “Ocean Within Me” stands…

Listening to LIQUID.LATEX.DISCO.DADDY. by The New Citizen Kane feels like walking into a completely different…

“MESSAGE,” the latest original single from For You Brother, arrives with a sense of urgency…

Living With Ghosts by Beggars Whisky doesn’t try to grab you instantly and that’s exactly…

On E Street Remix by DownTown Mystic feels less like a revisit and more like…

Lana Crow’s In Spirit feels like an album that doesn’t sit still for long, and…

RISE’s latest single Always feels like a natural step forward for the Liverpool four-piece, and…

Lefty Barnes really leans into his confidence on “La Corona,” and you can feel it…